{"id":844,"date":"2023-12-29T00:48:07","date_gmt":"2023-12-29T00:48:07","guid":{"rendered":"https:\/\/performing.site\/?page_id=844"},"modified":"2025-01-21T23:00:18","modified_gmt":"2025-01-21T23:00:18","slug":"writting","status":"publish","type":"page","link":"https:\/\/performing.site\/index.php\/writting\/","title":{"rendered":"writting"},"content":{"rendered":"\t\t
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On Dragon Hunt and Mutual Transformability <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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2023 PUBLISHED IN MASKA JOURNAL \/ ISSUE: SOMATICS
EDITED BY PIA BREZAV\u0160\u010cEK & JASMINA ZALO\u017dNIK<\/p>

2023 PREVIOUS VERSION PUBLISHED IN SPRINGERIN JOURNAL \/ ISSUE: QUEER POSTSOCIALIST DISAPORAS
EDITED BY MASHA GODOVANNAYA\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Taking Samuel Delany\u2019s SciFi novel \u2018Stars In My Pocket Like Grains of Sand\u2019 as a point of departure, in a joint effort with other artists we\u2019ve labored a work which is at once a dance, fantasy, and a queer road film. Its protagonists, animated by the weirdening landscape of the Dalmatian Hinterland and enraptured by the sound of the conch shell, partake in the melding tradition of Dragon Hunting. An exploration in somatics, media translation, mimicry, and the sensuous, Dragon Hunt is a result of mutual transformability exercised between fellow artist friends and different machine learning algorithms.\u00a0READ HERE<\/strong><\/a>\u00a0\u2192<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Opaque Temporary Agency <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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2023 PUBLISHED IN ROT \/ ISSUE 1: ON IMMUNITY<\/a>
EDITED AND CURATED BY SARA MANENTE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Is a work in progress taken from a larger body of text is part of Marko Guti\u0107 Mi\u017eimakov’s current research on transgenerational affect and gayness. A narrative unfolds around an enigmatic plywood board adorned with glass plates, petri dishes housing nineteenth-century hepatitis samples. An exercise in autofiction, the text explores queer relationality, artistic artifacts, and the challenge of navigating history in a disorienting temporal landscape. READ HERE<\/strong><\/a>\u00a0\u2192<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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No\/t a\\thing <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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2022 PUBLISHED IN KRETANJA-MOVEMENTS JOURNAL \/\u00a0 ISSUE: OFF-POP
EDITED BY ANA FAZEKA\u0160<\/p>

IN CROATIAN & ENGLISH<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Tis text tries to assemble my current thoughts on the space oddities known as Black Holes and how they relate to my artistic thinking, interests and practices, dancing between the fields of choreography, animation, somatics and SciFy.\u00a0 READ HERE<\/strong><\/a>\u00a0\u2192<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Digital Golem, Gesticulating Hybrids, Affective Clones & whatever they want <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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2021 PUBLISHED AS A LONGFORM BY INSTITUTE OF NETWORK CULTURES
EDITED BY: SEPP ECKENHAUSSEN<\/p>

Bodies – photoshopped, facetuned, beautified, deepfaked, synthesized simulated, rendered, digitized. What do these impalpable figures on the surface of the screen want from our palpable fingers holding it?\u00a0 Do they want something? Puzzled by the idea that images might want something (as suggested by WJT Mitchell, 2005) I started exploring possible modes of relating to digital images through a performative frame. This became \u2018Digital Golem, Gesticulating Hybrids, Affective Clones and Whatever They Want\u2019, a body of artistic processes that took shape back in 2018, during my studies in New Media at the Academy of Fine Arts in Zagreb. In the three years since, the digital landscape has undergone an accelerated transformation. Posing as influencers advertising fast fashion brands DAZ3D digital avatars have taken over Instagram. Meanwhile, everyone and their grandmother has turned into a 2D video by #distantdancing on TikTok inbetween ZOOM calls. Presented here is a text which served as a companion peace to ‘a performing site for affective clones & whatever they want’.\u00a0 Wanting to invert the (dominant)\u00a0Gestalt<\/em> of the animated figure, a specific type of digital image, the text maps the processes of imagemaking, animation, choreography and somatics. READ HERE<\/strong><\/a>\u00a0\u2192<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Featured image \u2014 GRUMEN STUDY<\/i> , 2022<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

On Dragon Hunt and Mutual Transformability 2023 PUBLISHED IN MASKA JOURNAL \/ ISSUE: SOMATICSEDITED BY PIA BREZAV\u0160\u010cEK & JASMINA ZALO\u017dNIK 2023 PREVIOUS VERSION PUBLISHED IN SPRINGERIN JOURNAL \/ ISSUE: QUEER POSTSOCIALIST DISAPORASEDITED BY MASHA GODOVANNAYA\u00a0 Taking Samuel Delany\u2019s SciFi novel \u2018Stars In My Pocket Like Grains of Sand\u2019 as a point of departure, in a…<\/p>\n","protected":false},"author":1,"featured_media":1134,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-844","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/pages\/844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/comments?post=844"}],"version-history":[{"count":46,"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/pages\/844\/revisions"}],"predecessor-version":[{"id":1338,"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/pages\/844\/revisions\/1338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/media\/1134"}],"wp:attachment":[{"href":"https:\/\/performing.site\/index.php\/wp-json\/wp\/v2\/media?parent=844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}