I use animation, movement and text in order to reflect on the body and its affects as mediated, nuanced and relational experiences.

(1) A performing site for affective clones is a collaborative practice where in different settings both palpable ‘real’ and impalpable ‘digital’ performers, appearing in various resolutions and stages of rendering, are staged as workers carrying out the affective labor of performing.

(2) Cruising the Mafinold, Disorientad. is a spoken word meditation on queer intimacy set to backdrop algorythmic depictions of cruising locations.

(3) Performing online as Anne Ampersand, I am currently busy looking into the possible translations of machine learning and computer vision processes into ‘manual’ modes of image making and their relation to the notion of presence.

I use animation, movement and text in order to reflect on the body and its affects as mediated, nuanced and relational experiences.